SCREENWRITING
SCREENWRITING
SCREENWRITING
SCREENWRITING
LESSONS FROM THE SCREENPLAY
LESSONS FROM THE SCREENPLAY
EVERY FRAME A PAINTING
EVERY FRAME A PAINTING
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
EDITING
SCREENWRITINGSAVE THE CAT! by Blake Snyder is a great book to introduce yourself to screenwriting. His interpretation of how to format your idea into a screenplay was formed over a 20-year career, experiencing both the failure and success of selling his own scripts to major Hollywood studios, including to Universal Studios and Steven Speilberg.
SCREENWRITINGSCREENPLAY by Syd Field is a great resource for understanding a common perspective of the screenplay structure.
SCREENWRITINGSTORY by Robert McKee is a good book to understand what goes into the structure, style, and tone of a screenplay. Focused on technique to achieve a reader’s interest, this book gets deep about how to communicate with your audience through your voice.
SCREENWRITING20 MASTER PLOTS by Ronald B. Tobias is a book to reference what Ronald believed to be the 20 plots for telling stories. He believed that all stories shared a common 20 plots that could be defined through common traits. Some say there are only 7 stories, some say 11 or 12. Ronald said 20 and these are them.
LESSONS FROM THE SCREENPLAYLESSONS FROM THE SCREENPLAY gives a great breakdown of how to think about creating the ultimate antagonist in their video, The Dark Knight: Creating the Ultimate Antagonist.
LESSONS FROM THE SCREENPLAYLESSONS FROM THE SCREENPLAY gives a great breakdown of how to achieve the element of surprise in this video, Inglourious Basterds: The Elements of Suspense, guided by master-filmmaker Quentin Tarantino and his rubber-band idea. That milk. And that second glass of milk. So much rubber-band.
EVERY FRAME A PAINTINGEVERY FRAME A PAINTING gives a great breakdown of physical comedy in their video, Buster Keaton: The Art of the Gag. As one of the notable fathers of the silent era’s comedy films, Keaton is still to this day one of the most influential filmmakers of all time.
EVERY FRAME A PAINTINGEVERY FRAME A PAINTING gives a great breakdown of how cinematography and editing can be combined to create a style, tone, and pacing for a story with a lot of visual comedy in this video, Edgar Wright: How to do Visual Comedy.
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
CINEMATOGRAPHY
EDITING
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